“The Internet has given all of us the ability to produce, distribute, and share cultural and intellectual creations as never before, something quite threatening to a number of media companies who’d like to control the publishing process as they once did. … As with the social revolutions of the 1960s and 1970s, San Francisco has become a key center in a geography of resistance to ruling ideas about the control of culture.” (pg 232)
“What ties together all these artists and activists who work in different genres is the acceptance that creation is a synthetic process, that the seeds of new work fall out old, that culture doesn’t form in isolation, and that performing and distributing work don’t necessarily constitute billable events.” (234)
“…bloggers seek to establish (and arguably already have built) a parallel mediasphere in which shared convictions, virtuosity or expression, and the esteem of one’s peers govern what makes the news, rather than the decisions of highly paid editors and publishers. Though blogging isn’t inherently about appropriation or reworking copyright, bloggers quore, recontextualize, slice and dice, comment and crticize up to and well beyond the narrow limits of fair use.” (236)
From: Prelinger, Rick. “Toward a Copyright-Free Zone?” The Political Edge. Chris Carlsson, ed. [San Francisco: City Lights Foundation, 2004] 231 – 237.
